“What a debut! Full of energy. And with an orchestra that sounds almost transformed – inspired with renewed enthusiasm and new ‘spirit’. Even more: a great chemistry between Fawzi Haimor and the audience was established instantly. “Good vibes” – and finally never-ending applause and cheers. The atmosphere of a new journey was in the air. The new Principal Conductor made a brilliant start – with Americana-Hits from John Adams (crazy) and Aaron Copland (magical). And with an expressive and sensitive Tchaikovksy no. 4. What more could you want?”
Otto Paul Burkhardt, Südwest Presse
SCHEDULE
December 13, 2018 800pm
Württembergische Philharmonie Reutlingen
Paul Phoenix, vocalist
Works von Nigel Hess, Irving Berlin, Leroy Anderson, Karel Svoboda, Thomas Hewitt Jones, Nikolai Rimski-Korsakow, Emile Waldteufel
Stadthalle, Reutlingen, Germany
December 14, 2018 500pm
Württembergische Philharmonie Reutlingen
Atsuko Kinoshita, piano
Kathrin Leidig, Mezzosoprano
Mozart Night!
Chaconne und Pas Seul aus der Ballettmusik aus der Oper Idomeneo KV 367
Overture “The Marriage of Figaro:
Aria for Cherubino: „Voi, che sapete“
Overture “La Clemenza di Tito“
Area of Sesto: “La Clemenza di Tito” “Parto, parto!”
Piano Concerto in C-Dur KV 467
Symphony No.40 in G-minor KV 550
Stadthalle, Heidelberg, Germany
January 14, 2019 800pm
Württembergische Philharmonie Reutlingen
Noah Bendix-Balgley, violin
Bates: Mothership for orchestra & electronica (2011)
Bartók: Concerto for Violin and Orchester Nr. 1 Sz 36 (1907/08)
Ginastera: Suite from the Ballet “Estancia” op. 8a
Bernstein: Symphonic Dances from “West Side Story”
Saint-Saëns: Introduction and Rondo Capriccioso in A minor, op. 28
Ravel: Bolero
Stadthalle, Reutlingen, Germany
NEWS
Review: War and Departure to the Stars
September 18, 2018
Otto Paul Burkhardt, Südwestpresse
Anyone who wants can stream it all, download it or anything else. But be honest: all the “Digital Concert Halls” are just a […]
Review: Power chords and a Beethovenfest
January 31, 2018
Armin Knauer, Reutlinger Generalanzeiger
“It may be because Beethoven was once the key to classical music for the new Chief Conductor. That he listened to him non-stop […]