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“Haimor showed a gracious, idiomatic touch with fine transparency and dynamics surely marked. The slow introduction to the opening movement had ample breadth and weight, dovetailing neatly into a vital, amiable Allegro. In the vivacious finale Haimor and the players delivered Haydn’s music with a winning blend of musical wit and infectious energy.”

Chicago Classical Review

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SCHEDULE

November 10, 2017 730pm

Joseph Moog, piano
Wagner: Prelude to “Parsifal”
Liszt: Hungarian Fantasy for piano and orchestra
Liszt: Danse Macabre for piano and orchestra
Mendelssohn: Symphony No. 5 in D-minor, Op. 107 “Reformation”

Ansbach, Germany

November 11, 2017 800pm

Joseph Moog, piano
Wagner: Prelude to “Parsifal”
Liszt: Hungarian Fantasy for piano and orchestra
Liszt: Danse Macabre for piano and orchestra
Mendelssohn: Symphony No. 5 in D-minor, Op. 107 “Reformation”

Bietigheim, Germany

November 12, 2017 800pm

Joseph Moog, piano
Wagner: Prelude to “Parsifal”
Liszt: Hungarian Fantasy for piano and orchestra
Liszt: Danse Macabre for piano and orchestra
Mendelssohn: Symphony No. 5 in D-minor, Op. 107 “Reformation”

Worms, Germany

Full Schedule

NEWS

For some Muslim classical artists, music can speak louder than politics

July 5th, 2017
John von Rhein, Chicago Tribune.

All performing and creative artists who hold complex identities also face complex journeys. Certainly, classical musicians of Middle Eastern heritage and/or Muslim […]

Fawzi Haimor Anounced As Music Director Designate

December 20th, 2016
Website of the Württembergische Philharmonie Reutlingen

Fawzi Haimor has been announced as Music Director Designate of Württembergische Philharmonie Reutlingen (WPR), following an impressive debut with the orchestra […]

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